In William Shakespeare's ''A Midsummer Night's Dream,'' the relationships between Oberon and Titania, Theseus and Hippolyta, Lysander and Hermia, and . what do they each reprsent and how does Shakespeare show their different attitudes toward their marriage. Hippolyta is much calmer than Theseus. What does the reader find out about the current relationship between Oberon, King of the Fairies, and Titania, Queen .
In Act Two, the lovers suffer unrequited love and betrayal—potentially tragic experiences—what affects the tone and comic potential of their exchanges?
Does he have an "identity? Compare the largely "maternal" world described in Titania's speech 2. Why is Oberon so adamant in his desire for Titania's "changeling boy? What do Bottom and his companions assume about theater Act 3? Is she to be played as malevolent or ridiculous e. Any comment on the effect and import of the darker beauty of the lines at 3. Why does Bottom's dream have "no bottom" 4.
In terms of casting, if Theseus and Hippolyta have been double cast as Oberon and Titania, what difference might that make for their entrance in 4. How do we react to the new amity and changed affections among the lovers?
Are they deluded in their newfound affections and lovers? And how are Titania and Oberon reconciled and on what terms, whose terms? Compare the mechanicals and the court elite, particularly attitudes towards drama and patronage e.
Does Shakespeare's play support or repudiate Theseus's belief that plays are primarily forms of diversion and homage for the elite? What does Hippolyta think of Theseus's scorn for the lovers' "antique fables" 5. How much do you identify with Theseus and the lovers in their critical response to Pyramus and Thisbe?
Commenting on Theseus, Anne Barton suggests that the "life of the self-appointed critic of the imagination and the irrational is permeated by exactly those qualities he is concerned to minimize or reject. Montrose argues that Theseus' life--which is marked by a "habitual victimization of women.
Study Questions on A Midsummer Night's Dream
What is the effect of giving the closing scene and lines to the fairies? Does Puck's epilogue, where he claims that the audience may consider the play but a dream, resolve the problematic relations between dreams and waking reality? Compare the values and practices of Athens to fairyland. For example, both have social hierarchies with ruling figures, and ensuing conflicts of will over children, contrasts between body and spirit, and strife between the sexes.
To what extent does fairyland seem to provide for a carnival world that questions or departs from established behaviors and order?
In addition, he appreciates the mechanics effort in the play-within-a-play, and the sincerity of the ordinary people. He lets his imagination turn good people's sincere effort into a good performance.
He does this with such a benevolent air that he seems condescending, and annoying to Hippolyta whom sees the play as it is, utter foolery, regardless of the effort.
It is their wedding feast, and Theseus ends with at least it passed the time until bed time V,i, The strongest love seen in the play is between Oberon, King of the Fairies, and his wife Titania, Queen of the Fairies. Over the many years that they have known each other, they have formed a strong bond with one another.
Even though they have been together for a long time, in some ways, they still do not fully understand one another.
They fight over childish topics, and resort to immature behavior.
For example, Oberon is jealous of the relationship between Titania and her Indian servant boy, so he puts her under a spell. He puts this potion on her in order to make her appear foolish and to divert her attention from the servant boy. In doing so, he is able to steal the servant from her and make him his knight. Additionally, Titania accuses Oberon of being in love with Hippolyta.
Oberon replies, "How canst thou for shame, Titania, glance at my credit with Hippolyta, knowing I know thy love to Theseus?